Run Silent Run Deep

Run Silent Run Deep Poster

As a modern Captain Ahab, Clark Gable stars as “Commander ‘Rich’ Richardson”, who is hellbent on finding an infamous Japanese destroyer named the “Akikaze”, which serves as the Captain’s “Moby Dick” of the story. His co-star and co-producer of the film, Burt Lancaster, portrays “Lt. Jim Bledsoe”, the Commander’s secondhand man who eventually takes over the responsibility for the captain when he is incapacitated from completing his duties. It was not just on the screen that the stars channeled their character’s frustration. In fact, it was more of an imitation of real life where the stars themselves could not get along.

The tense chemistry between Gable and Lancaster seemed to start over a clause in Gable’s contract which had become well-known to the studios. At this time in his career, Gable had made it a strict policy that regardless of what may be going on on set, once the clock turned 5 o’clock in the evening, he would leave the set to return home to his wife Kay. It aggravated the cast, the crew and especially Lancaster when Gable would cut short their shooting days. Reportedly, while shooting one of his scenes, Gable just left the scene because it had turned 5 o’clock. Lancaster would try to stop Gable from leaving the set but remained unsuccessful.
However, Lancaster was not as innocent in the feud. It is rumored that Lancaster, either to poke fun or to retaliate, would make fun of Gable’s age of 54. But their uneasy working environment would be put to the ultimate test when Gable disagreed with one aspect of the script.

The original story was supposed to unfold in which Lancaster’s character was supposed to mutiny against Gable’s murderous-obsessive Commander but Gable disagreed with this part of the story. A fight broke out on set and the veteran movie star left the set. He had stuck to his beliefs and called in sick for the following two days in order to prove his point to Lancaster. Finally, the production was forced to agree with Gable and the screenwriter, John Gay, rewrote the script. The revised script and what appears in the final film, is that Gable’s character suffers from an injury in which Lancaster’s character must take over.

Although it was not a commercial success, the film brought critical recognition for director Robert Wise. Later in his life, Lancaster would acknowledge Gable as being a consummate professional on set. The film also featured actor/comedian Don Rickles’ first onscreen appearance.

Today, “Run Silent Run Deep” is one of the films that set the bar for the genre of submarine war films and the film genre of war in general. The film provides a dynamic storyline with great dramatic performances from not only Gable and Lancaster but by the supporting cast as well.

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Bonnie and Clyde (1967) – A Review

Bonnie and Clyde

During what was known as the “public enemy” era (1931-1934), America’s glorified celebrities went to the likes of Bonnie and Clyde. Thirty-three years after this bank robbing duo was brutally ambushed on a road outside of Bienville Parish, Louisiana, their story was told in cinematic splendor in “Bonnie and Clyde” (1967). The film adaptation was directed by Arthur Penn and starred Warren Beatty and Faye Dunaway.

One of the greater appeals about a film like “Bonnie and Clyde” (1967) is that it was not made into a textbook visual representation and bombardment of facts and fiction. Although it is a highly romanticized version of the violent couple, the film simplified enough facts of the real story to allow more dramatic tension, which made it easier to watch and engage in. Not only did the film draw out the large and smaller points known about Bonnie and Clyde but also the general attitude of the 1930s bank robbers. As shown in the film, when Clyde sees the money laying out on the counter, he asks if it is the banks or the farmer’s. The farmer says it is his, Clyde tells him to take it, “We’re only after the bank’s money.” This was based on a similar occurrence when John Dillinger robbed a Chicago bank, and upon seeing the money told a patron the same thing. “Bonnie and Clyde” (1967) also features a part where Bonnie (played by Faye Dunaway) jokes around with Clyde’s gun and Bud’s cigar as they take pictures of her sitting on the hood of the car. In a great subtle way, after Bonnie takes the picture, she goes inside to their room and spits out the cigar. In reality, Bonnie hated cigars and the pictures she took were later published in national newspapers. The film shows Gene Wilder makes his film debut as “Eugene Grizzard” who is kidnapped along with his girlfriend by the Barrow gang. This scene was based on an actual account of the Barrow gang kidnapping an undertaker. Bonnie lets them go when she finds out about his occupation.

The last surviving members of the actual Barrow Gang objected to the film and their portrayals. Blanche Barrow, Buck Barrow’s wife, was quoted as saying of Estelle Parson’s portrayal, “That film made me look like a screaming horse’s ass!” Coincidentally, the film was nominated for ten Academy Awards, winning two including for actress Estelle Parsons. The second gang member, William Daniel Jones, made an unsuccessful attempt at suing Warner Bros. over the film’s fictitious ending of him being the one to betray Bonnie and Clyde as well as the film’s attitude toward the entire gang.

With a large credit going to the Oscar-winning movie, the fascination for the notorious and wild Bonnie and Clyde is still strong in some areas of society today. For instance, in Gibsland, Louisiana, an annual Bonnie and Clyde Festival is held. The event always draws to close with a “bang” – an authentic re-enactment of the ambush on the same road Bonnie and Clyde were gunned down. The festival creators’ are careful to warn that they do not celebrate the lives, the crimes, or the deaths of Bonnie and Clyde.

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Gable’s Troubles Turn To Gold

Clark Gable with Oscar

Clark Gable with his Oscar for Best Actor in “It Happened one Night” (1934) at the Academy Awards Ceremony, 1935.

Who could imagine a studio wanting to ruin Clark Gable? Or at least want to teach him a lesson? MGM Studios tycoon Louis B. Mayer wanted to. “It Happened One Night” (1934) was supposed to be Gable’s punishment. But this little screwball comedy would miraculously change the careers of everyone involved including Clark Gable. For the better. Forever.

“It Happened One Night” was supposed to be a script composed to fit actor Robert Montgomery’s persona and humor. Montgomery was approached in playing Gable’s role as “Peter” but Montgomery turned it down. Some theories suggest that after “Dancing Lady” (1933) became a box office smash, Gable wanted a better salary or better roles. Others suggests that Gable’s public and lengthy separation from his second wife Rita while courting actress Carole Lombard was causing a strain on MGM’s image. At the time, Columbia Pictures was considered a “Poverty Row” studio – a slang to term in referring to studios that were barely surviving on the B-Movies they were able to churn out. If an actor was loaned-out to one of these studios, they were living on a prayer. Mayer reportedly contacted Harry Cohn, a president of Columbia Pictures and producer for “It Happened One Night” and said, “I got an actor here who’s being a bad boy. I’d like you to spank him.” No matter what the reason was, Gable was sent to Columbia and he was not happy about it.

On his first meeting with Capra, Gable showed up drunk and disorderly. If it was Gable’s intention to be thrown from the picture, it did not happen. “Let’s get this over with,” Gable had reportedly said when beginning the shoot. But by the end of the four-week shoot, Gable enjoyed working with Capra and being a part of the film.

When the film was released, the critics’ reviews being lukewarm, neither impressed or un-impressed by the film. But the public fell in love with it. The film’s popularity went as far as to cause men’s undershirt sales to significantly drop due to the film’s sequence of Gable is undressing and is without an undershirt.

Due to all of the international hype, “It Happened One Night” was recognized by the Academy of Motion Pictures Arts and Science. At the 1935 Academy Awards, the film was nominated for five major Oscar nominations including “Best Male for a Leading Role” for Clark Gable. It made history when it swept up all five Oscars that night, including Gable’s nomination. “It Happened One Night” became the first motion picture to have won all five major categories. From then on, Gable’s reputation was untouchable. His career strengthened. And Gable became “King of Hollywood.”

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Disney’s The Great and Powerful Oz China Girl Doll Limited Edition of 500

Oz the Great and Powerful China Girl Doll Limited Edition

Her hand-sewn dress features satin and lace trim over bloomers with a drawstring-tie waist. She is delicately hand-painted, includes wooden base, with jointed arms, legs and head. Decorative box for safekeeping. Designed by Disney Store artists. An accurate replica of the film character China Girl from Disney’s Oz The Great and Powerful. Resin and polyester with a wooden base. She is approximately 19 inches tall. Very sweet. Limited Edition of only 500!


CLICK HERE before she’s sold out!





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Trailer: Oz The Great and Powerful



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Screen Actors Guild Award Winners 2013




MOVIES:
Actor: Daniel Day-Lewis, “Lincoln”
Actress: Jennifer Lawrence, “Silver Linings Playbook”
Supporting actor: Tommy Lee Jones, “Lincoln”
Supporting actress: Anne Hathaway, “Les Miserables”
Cast: “Argo”
Stunt ensemble: “Skyfall”
TELEVISION:
Actor in a movie or miniseries: Kevin Costner “Hatfields & McCoys”
Actress in a movie or miniseries: Julianne Moore, “Game Change”
Actor in a drama series: Bryan Cranston, “Breaking Bad”
Actress in a drama series: Claire Danes, “Homeland”
Actor in a comedy series: Alec Baldwin, “30 Rock”
Actress in a comedy series: Tina Fey, “30 Rock”
Drama series cast: “Downton Abbey”
Comedy series cast: “Modern Family”
Stunt ensemble: “Game of Thrones”
LIFE ACHIEVEMENT:
Dick Van Dyke


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The Role of Lolita

Lolita

Based on Vladimir Nabokov’s novel “Lolita,” Stanley Kubrick’s film took the story of a man driven by lust for his landlady’s seductive teenage daughter broke boundaries that have not been pushed again by contemporary Hollywood. And in the middle of it was starlet Sue Lyon who was critically praised for holding her own against the film’s heavyweights, James Mason, Shelley Winters and Peter Sellers. But after playing “Lolita,” Miss. Lyon seemed to disappear. Was it because she played the notorious “nymphet”? She thinks so.

Once the film’s director, Stanley Kubrick commenced the casting process, he knew what he was looking for – an girl who could play Lolita from age twelve to seventeen and who was more mature than her peers in body and mind. Many girls tested for the part, and many fame-seeking mothers sent disturbing letters of “my daughter really is Lolita” proclamations, but none of them came close to Sue Lyon. The twelve-year old model turned actress went to the audition based on the recommendation of her agent. It was when Kubrick and the casting team saw her, they knew she had “It.” Kubrick described in an interview, “. . .She had this wonderful, enigmatic, but alive quality of mystery, but was still very expressive.”

Having only appeared in an episode of “The Loretta Young Show” previously to her audition, Kubrick still wanted to know if she could act. After a few readings and a screen test, Kubrick knew he had his “Lolita.” Miss. Lyon was only fourteen at the time of shooting the film, only two years older than the character at the beginning of Nabokov’s novel. Due to the adult nature of the film, “Lolita” was shot in secret and Miss. Lyon was protected and guarded at all times during the production. It was not until post-production when Kubrick started running censorship problems, the public realized what Kubrick was up to, and as a result, the film’s tagline appeared on the poster as “How did they ever make a film about Lolita?”

As much as audiences did not want to admit that Lyon’s onscreen presence was fascinating and movie goers were undoubtedly exposed to a film full of seductive taboo not shown on the screen before. At the time of the film’s release, a wise 15-year old Lyon had commented on Kubrick’s version of Lolita with, “I feel sorry for her. She’s neurotic and pathetic and only interested in herself.” When award season came around, Kubrick’s “Lolita” garnered a decent amount of awards including a “Most Promising Newcomer” Golden Globe award for Lyon.

The “nymphet” typecast lasted for only one more film when Lyon portrayed “Charlotte Goodall” in “The Night of the Iguana” (1964). Afterwards, Lyon’s career turned into a string of relevant and irrelevant roles, mostly in television with the exception of the lead role in the film “The Flim-Flam Man” (1967) and a supporting role in “Tony Rome” (1967). By the time Miss. Lyon turned thirty-four, she decided to retire from acting. Her last film role being a newswoman in a low-budget sci-fi flick titled “Alligator” (1980).

At the time, the actress had already been diagnosed as a manic-depressive, divorced four times while taking care of one daughter. She gave an at-length interview about her early retirement from film, furthering the details of how the role of “Lolita” destroyed her sense of self, saying, “Lolita exposed me to temptations no girl of that age should undergo.” And she concluded the interview with, “Am I going to be Lolita when I’m 50? Much as I appreciated Lolita in her day, I’d like to leave her now.”

It was in 1998, Lyon spoke to a Reuters news service in the event of the “Lolita” remake, “I am appalled they should revive the film that caused my destruction as a person.” The remake, although closer to Nabokov’s novel than Kubrick’s film, grossed only $1 million dollars at the box office and was critically panned. As of today, Miss. Lyon remains a private person and rarely gives interviews.



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The Oxbox Incident (1943) – The Conscience Letter

Gil Carter, played by Henry Fonda, reads Martin’s letter:

My dear Wife, Mr. Davies will tell you what’s happening here tonight. He’s a good man and has done everything he can for me. I suppose there are some other good men here, too, only they don’t seem to realize what they’re doing. They’re the ones I feel sorry for. ‘Cause it’ll be over for me in a little while, but they’ll have to go on remembering for the rest of their lives. A man just naturally can’t take the law into his own hands and hang people without hurtin’ everybody in the world, ’cause then he’s just not breaking one law but all laws. Law is a lot more than words you put in a book, or judges or lawyers or sheriffs you hire to carry it out. It’s everything people ever have found out about justice and what’s right and wrong. It’s the very conscience of humanity. There can’t be any such thing as civilization unless people have a conscience, because if people touch God anywhere, where is it except through their conscience? And what is anybody’s conscience except a little piece of the conscience of all men that ever lived? I guess that’s all I’ve got to say except kiss the babies for me and God bless you. Your husband, Donald.

Director: William A. Wellman
Writers: Written for the screen by Lamar Trotti; from the novel by Walter Van Tilburg Clark



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Golden Globe Award Winners 2013



THE WINNERS

  • Motion Picture, Drama: Argo
  • Motion Picture, Comedy or Musical: Les Misérables
  • Actor in Motion Picture, Drama: Daniel Day-Lewis, Lincoln
  • Actress in Motion Picture, Drama: Jessica Chastain, Zero Dark Thirty
  • Actor in Motion Picture, Comedy or Musical: Hugh Jackman, Les Misérables
  • Actress in a Motion Picture, Comedy or Musical: Jennifer Lawrence, Silver Linings Playbook
  • Supporting Actor in a Motion Picture: Christoph Waltz, Django Unchained
  • Supporting Actress in Motion Picture: Anne Hathaway, Les Misérables
  • Director, Motion Picture: Ben Affleck, Argo
  • Screenplay, Motion Picture: Quentin Tarantino, Django Unchained
  • Foreign Language Film: Amour (Austria)
  • Animated Feature Film: Brave
  • Original Score, Motion Picture: Mychael Danna, Life of Pi
  • Original Song, Motion Picture: “Skyfall,” Skyfall, Adele & Paul Epworth
  • TV Series, Drama: Homeland
  • TV Series, Comedy: Girls
  • TV Movie or Miniseries: Game Change
  • Actor in a TV Series, Drama: Damian Lewis, Homeland
  • Actress in a TV Series, Drama: Claire Danes, Homeland
  • Actor in a TV Series, Comedy: Don Cheadle, House of Lies
  • Actress in a TV Series, Comedy: Lena Dunham, Girls
  • Actor in a Miniseries or TV Movie: Kevin Costner, Hatfields & McCoys
  • Actress in a Miniseries or TV Movie: Julianne Moore, Game Change
  • Supporting Actor in a Series, Miniseries or TV Movie: Ed Harris, Game Change
  • Supporting Actress in a Series, Miniseries or TV Movie: Maggie Smith, Downton Abbey
  • Cecil B. DeMille Award: Jodie Foster
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Critics’ Choice Award Winners 2013


THE WINNERS

BEST PICTURE: Argo
BEST ACTOR:
Daniel Day-Lewis – Lincoln
BEST ACTRESS:
Jessica Chastain – Zero Dark Thirty
BEST SUPPORTING ACTOR:
Philip Seymour Hoffman – The Master
BEST SUPPORTING ACTRESS:
Anne Hathaway – Les Miserables
BEST YOUNG ACTOR/ACTRESS:
Quvenzhane Wallis – Beasts of the Southern Wild
BEST ACTING ENSEMBLE:
Silver Linings Playbook
BEST DIRECTOR:
Ben Affleck – Argo
BEST ORIGINAL SCREENPLAY: Quentin Tarantino – Django Unchained
BEST ADAPTED SCREENPLAY: Tony Kushner – Lincoln
BEST CINEMATOGRAPHY: Life of Pi – Claudio Miranda
BEST ART DIRECTION: Anna Karenina – Sarah Greenwood/Production Designer, Katie Spencer/Set Decorator
BEST EDITING: Zero Dark Thirty – William Goldenberg, Dylan Tichenor
BEST COSTUME DESIGN: Anna Karenina – Jacqueline Durran
BEST MAKEUP: Cloud Atlas
BEST VISUAL EFFECTS: Life of Pi
BEST ANIMATED FEATURE: Wreck-It Ralph
BEST ACTION MOVIE: Skyfall
BEST ACTOR IN AN ACTION MOVIE: Daniel Craig – Skyfall
BEST ACTRESS IN AN ACTION MOVIE: Jennifer Lawrence – The Hunger Games
BEST COMEDY: Silver Linings Playbook
BEST ACTOR IN A COMEDY: Bradley Cooper – Silver Linings Playbook
BEST ACTRESS IN A COMEDY: Jennifer Lawrence – Silver Linings Playbook
BEST SCI-FI/HORROR MOVIE: Looper
BEST FOREIGN LANGUAGE FILM: Amour
BEST DOCUMENTARY FEATURE: Searching for Sugar Man
BEST SONG: “Skyfall” – performed by Adele/written by Adele Adkins & Paul Epworth – Skyfall
BEST SCORE: Lincoln – John Williams

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